With over ten years of professional experience, Will’s early career included producing and mixing local artists across Sydney, followed by assisting Daniel Antix at Def Wolf on sessions for artists including Chillinit, Telenova, and Pond, while completing a degree in Audio Engineering.

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Since then, Will has worked across leading studios alongside engineers including Bob Scott and Dave Hammer, and spent an extended period recording and mixing live performances at the Sydney Opera House for artists such as Khruangbin, Vance Joy, Caroline Polachek, and the Sydney Symphony Orchestra.

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While recently returning from the U.K, Will completed a Masters of Science (MSc) in Acoustics, specialising in studio layout, bespoke loudspeaker systems, and the relationship between acoustic design and longterm listening comfort. Alongside his academic work, Will was mastering records while being mentored by Stefan Brown and Alex Wharton at Abbey Road Studios, absorbing decades of practical knowledge from engineers working at the highest level of critical listening.

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Beyond his engineering work, Will has contributed to film and commercial sound design, including the feature film Attacking Life (Stan, 2023), where he mixed multiple soundtracks and composed three original pieces. Additional credits include NBA Australia, New Balance Australia, Salomon, and Up-There Athletics.

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Will is currently the mastering engineer at Kiln and A-Sharp Studios in Sydney, while also working as an acoustic consultant specialising in studio design.